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Common startup-mentality is to move fast and break things. Books like Lean Startup also posits that startups should build "MVPs", which is an incomplete version of the product that allows you to test it on real users so that you can iterate on it.

All the talk is about being cheap and fast, which I do think is important for a startup. However, I also think people get it wrong, because while it is good to be lean, the product should not be buggy, wasteful or low quality.

I think of software as similar to building a house. The fastest way to get a house up is building a house with poor foundations, using the cheapest brick with prebuilt modules. But, it is also unlikely that anyone would want to live in such a house.

If, instead, we were to invest in quality, even if it means to build only a small section at the time; I believe the end result would be better and the feedback received along the way will also be more useful. So, when coding let's make sure that the code is good. Let's not neglect testing, but perhaps with a more limited scope. Let's take the time to think about the visuals and the energy efficiency of the solution, because neglecting this affects the quality of the entire product, and energy efficiency is a social responsibility we all bear.

I also think of writing code akin to maintaining a house. If your code is bad and smelly, it is like working in a kitchen that has not been cleaned for months with dirty dishes piled up in a sink. It is not a place where you want to work in, or inhabit.

- Marc

As of today, I have publications forthcoming in Hypertext Review, The Good Life Review and The Madrid Review. In the past two years, I have published at Americas Quarterly, Periódico de Libros, Pie de Página, and for Artists at Risk Connection.

It was difficult for me to write that paragraph. It is even more difficult still to post it and keep it on this website. The feeling that I am bragging really gets under my skin, which is why I tend to struggle with self-recognition. But, my aversion to listing "accomplishments" is not even fully based on humility, it is also a bit of cowardice. It takes courage to stand publicly behind a piece of writing (especially some pieces of writing that I now find could be so much better, if only I could pick them apart and put them back together), it is safer to sink into anonymity.

However, if I were to retreat, I would be incapable of truly understanding where I am at as a writer. And, despite of everything, I also marvel at it all still, that the texts that I spent hours drafting and tweaking and dialoguing with others about are out there, whatever that means. In a sense, I still don't really truly believe it.

From childhood, language and writing have always been a safe haven. I gravitated towards storytelling in the moments of most uncertainty. It was fun. Libraries were there no matter how many times we had to pack up and move. I always knew I wanted to write, to be able to share images, thoughts, impressions, and feelings with others.

However, a writing career never seemed like an option. Of course, a career involving writing, yes. But it was out of the question that I would just write. That wasn’t a real career, and most importantly, it was unsustainable for someone like me. Even when I majored in languages, literature, and the humanities—I imagined I needed to enter academia or do something else. And I did, I did do something else, and I found many additional passions in the social sciences, in anthropology, in film, and in science.

I continued to write, but for myself. Other responsibilities quickly took up my time, responsibilities that I genuinely enjoyed tackling and that were within the fixed path laid out by my studies (which involved academic writing). But when the studies ended, or paused (who knows), and I had to think closely about what I really wanted to do, the urge to write, creatively, made itself known. But about what? And who would read it?

It turns out that I had published before, as a student. But I never took those achievements seriously. I downplayed the writing itself, for some reason, “it didn’t count”. In some sense, I feel that still, like the publications I have listed at the top of this entry "don't count", incomprehensively.

The first creative text that I published appeared a decade ago in the quarterly magazine, Just Poetry!!! This poem, “Fruit Salad is Heterogenous”, was just a faint memory in the back of my mind until I rediscovered the printed issue earlier this year. I didn’t even remember it had been printed. I certainly didn’t remember it had been one of the nominees for best of issue. And when I re-read it, I realized it was not half-bad for a high school student publishing and writing poetry for the first time. I surprised myself with those words, and they evoked feelings and memories latent with meaning.

Exactly ten years later, my first creative English narrative pieces and Spanish-language poetry pieces are forthcoming.

I am well aware of all the ethical issues with the publishing industry, as with any industry, especially as journalism and print struggle financially. There are very good reasons the reject the notion of traditional publishing all together. And yet, the efforts of small presses that I see here in Bogotá and online internationally are exciting (Hypertext and The Good Life, are non-for-profits; The Madrid Review is a volunteer effort). And even in more traditional media, there are people passionate about storytelling. I can discern (or a better word, vislumbrar) a way of breaking through and sharing stories and histories with a variety of people. That prospect excites me.

Not to say I haven’t been discouraged by rejection (part and parcel of the process) or by a perceived shortage of time or disappointment in myself (self-doubt, or perfectionism). It has felt impossible at times. That feeling of failing to communicate something important, essential or the essential nature of that which I am trying to communicate. The hegemony of English also makes publishing in Spanish challenging—and I don’t want to feel pressured to write in English because of it. I want to write in English because I feel like it. And I want to be able to write in Spanish (or any other language) when I feel like it too.

In those times of self-doubt, my friends and family have been essential, as well as the kind words of the readers who have found something worthwhile in my writing. But also, diving into the written works of others has been so important. Those books, poems, and articles that speak to me motivate me and give me courage.

- Andrea

Today is our first full day back in Bogotá and this is my first log entry for Comma Directory. Today, I want to reflect a bit on how I got here, both literally and metaphorically.

We had a rough trip back from Sasaima, Cundinamarca. Two buses with aggressive drivers, getting dropped off in an unfamiliar part of the city, and then a taxi driver who fell asleep at the stop light (wishing him safety and rest). These are the realities of traveling and living in Colombia, and even more so for most Colombians living day to day, struggling to survive.

For years, my family undertook this pilgrimage from Bogotá to Sasaima, and under much rougher conditions than we did. And despite of it all, visiting my great-grandparents’ farm was one of the familiy's happiest moments of the year, for as long as it lasted.

I had never been to Sasaima before, by the time I was born the voyages had ceased, my great-grandfather had already passed away.

Being able to finally go to a place that meant so much to everyone and that I have heard about since childhood was very special. Eating almojabanas at the town square, going to the plaza (market) for lunch, hiking through the surrounding mountains, eating fresh mandarinas on the trail, and meeting kind people who love their town and are proud of the land—it was a wonderful parenthesis, a welcomed contrast from the grittiness of Bogotá.

But even with all its pollution, the crime, the poverty, and the painful memories embedded into these mountains, coming back to Bogotá is coming back home. This month, I’ll leave Bogotá again and I am not sure exactly when I’ll be back—like so many of the other times I've departed, but it never stops being painful. I am excited about what is to come, it is beyond my wildest dreams, life that is. It has been that way during the past ten years. Full of new beginnings, new opportunities, but those beginnings always come paired with goodbyes and (hopefully) see you laters. A "see you later" is always an act of faith, and I am by nature faithless.

I see logging as more than a recollection of important events or thoughts, but as a way to digest and accept that duality, so integral to life. Whether one travels or not, we are all constantly starting and ending. Moments, books, trips, meals, tasks, conversations.

Before Comma Directory I have been logging in journals, the analog way. However, I rarely keep my journals around and I almost never have wanted to re-read my entries. Too self-conscious of my own writing, unfettered and unedited. However, recently I have made the effort to keep and complete the same journal, and also keep two additional analog logs on books and films. These logs are from the Rey Naranjo Editorial House, which is part of Bogotá’s very vibrant artistic scene. Their design is quite nice, they are compact and portable, and there’s a bit of humor and character infused into them. I’ve also managed to keep an agenda for the first time, which I bought at the beginning of the year in Oaxaca, that has also served as a nice writing space. More on writing next time.

- Andrea

Email combined with isync makes it is possible to access email offline and have it synced on a regular interval.

I looked around for options to build a shared TODO list with Andrea and sometimes the best solution is that which is right in front of you. All the local solutions that I have used in the past made sharing difficult, and neither one of us wanted to sign up for some third-party service nor download an app just for TODO items. Then I started thinking a few days ago about how I have always shared links with myself in the past, which was through email.

Well, thanks to fastmail's web filters, I was able to set up a specific email address that Andrea and I could use to share TODO items between each other. All emails sent to that email address end up in my TODO inbox. How do I share TODO items? Well, just add Andrea on CC and then it's done. No sign-up to a new service needed. When the item is complete, I just reply done and then my email rule will automatically drag it to my Done archive.

Similarly, I use this as my social bookmarking service. I have a special email address and a email rule so that when that address receives links from the right people, those links end up automatically in my links archive.

These two solutions work cross-device as well. All my devices have email so sharing across BSD, iOS, and Android becomes trivial. All of them support email.

This could be further extended with interfaces that operate on the isync directory. You could then have TODO apps that use email as a backend, and what is nice is that people would not need to download an app to operate on it, so it would be a form of "progressive enhancement".

- Marc

On most browsers, you can easily download and print a PDF version of a website for offline use by using Ctrl+P.

With that, you can save and render the PDF with Zathura or Mupdf. I discovered that my undervolted laptop actually struggles with Zathura for PDF rendering, however Mupdf renders the PDFs instantaneously.

However, another technique that might be nicer is to save the website page as Web Page (HTML only) and then convert it to a more readable plain-text format. That way it is much easier to search through your documentation using grep or other Unix tools.

To do so Pandoc can be used to to convert it to a Markdown page.

pandoc my-site.html --to markdown_strict -o my-site.md

Markdown is not necessarily the most readable format though, so with some extra help of lowdown, we can produce terminal-readable documentation.

NO_COLOR=true lowdown -tterm -o my-site.txt

With the power of Unix, we can pipe these commands together:

pandoc my-site.html --to markdown_strict |\
> NO_COLOR=true lowdown -tterm -o my-file.txt

Then we can read it with less

cat my-file.txt | less -R

- Marc

I have begun using recutils to build a database of what I have read, watched and also for storing references on how to do things.

The tool has a decent amount of utilities for querying data and its simple formatting means that even if recutils one day stops working, it would be trivial for me to build my own replacement.

The usage becomes simple. To find all FreeBSD specific information, I can simply run the recsel -q freebsd ~/refs.rec and I will find all my Freebsd related references. I made an alias of it so I just have to type refs freebsd.

- Marc

Working out remotely can be challenging. When the gym is far away, staying in shape is a goal that can easily be sidelined.

To work out regularly and everywhere, I carry my favorite set of exercise equipment, the Gymnastics rings.

These rings can be used anywhere you have a tree or bar to hang them up on, and enables you to perform a complete upper-body pull workout, which is hard to do without any form of equipment.

After 8 months, starting from scratch, I was able to unlock the ring muscle up with the help of a personal trainer.

Over time, I have transitioned over to exercising on my own. These days I follow the training programs sold byfitnessfaqs. I find his marketing to be a bit like snake oil, flashy, but the concepts he teaches are legit and the programs were recommended by my trainer. Though it should be said that these workouts should be supplemented with some of your own reading, as his training programs can be a bit light on theory.

On Reunion island, I found a tree next to a small lake where I could hang up the rings, do my exercises and then jump into the lake and swim for a bit to cool myself down. On the best days the lake was completely empty.

The simplicity of the wooden rings combined with being alone in nature makes it a meditative form of exercise.

- Marc

Today, Andrea and I designed the Concepts page. Looking around at other personal wikis, our shared sentiment was that there is a lot of amazing content, but that it can be hard to navigate because of the overwhelming amount of information served in a rather flat layout.

By using a hierarchical structure, we are able to better break it down into sub-categories that are easier to navigate. The top has:

• Concepts
• Media
• Travel

And under them there is a subcategory and finally the topic. Each log entry uses a tag underneath, so we are still able to display the same log entry in multiple topics, if necessary.

To design the layout, Andrea and I started to look for inspiration. I am rather infatuated by the old lisp machines, and especially the Genera Symbolics lisp.

I love the portrait aspect ratio and the black and white look. So, I wanted the design to make an homage to its beauty.

Searching for its design elements, we came across this.

Andrea and I both find it beautiful. If you head over to the Concepts section, you can see how that served as inspiration for the design. We are very happy with the result.

- Marc

Comma Directory tries to set up a way to separate "the facts" from the interpretation of the facts. The idea is to build up a set of log entries that over time can be projected to display a unique interpretation of a given concept.

Originally inspired by event-sourced programming, this idea also has a certain resemblance to the zettelkasten method. In zettelkasten, you build up a set of atomic notes, that you then piece together to construct a novel idea.

This process allows us to improve our understanding of our own thoughts and make sure that important ideas are grounded in a solid foundation. And if we get it wrong, we are able to reinterpret the information, without losing the raw source.

- Marc

When ChatGPT 3 came out, I was initially terrified how it might make my job irrelevant and all creative professions along with it.

Now I have had time to let that fear simmer for a bit, and I have changed my mind. These days, when I think about AI, I come to think about how irrelevant it is to the major problems I face. For the problems I try to solve, AI feels, at best, like a tool that can take care of some chores, and at worst, exploitative and actively harmful.

My current project is to help people live more sustainably. From that perspective, AI is an ecological disaster. At the same time, I think the way that AI removes our need to think,actively harms our public institutions. The more software I build, the more I understand the importance of understanding how things work, from the hardware to the software, in order to be able to fix it myself when something breaks. In that sense, I am skeptical of the way AI encourages us to just copy-paste without knowing what we are doing. It is like stackoverflow, but on steroids.

When I find out a picture is AI generated, I cannot help but to feel that it is about as interesting as a stock photo to me, and that makes me think that it will not be replacing art anytime soon.

These days, I feel a relief that AI actually does not help me in what I try to achieve, my initial anxiety is gone. Instead, I feel more pressure to make sure that my projects succeed so I do not end up in an organization where I am forced to use AI tools.

- Marc