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01.10.2025 // Helen's Exile

Cape Town, South Africa

After an early start to the day and to the month of October, we sat down with one of the essays of Albert Camus, "Helen's Exile". It proved to be especially lovely, melancholic and thought-provoking on a grey rainy day like today, and Camus' literary flair is always awe inspiring. We picked out a few of our favourite quotes, some of which can make confronting current events feel less lonely, and some of which speak to some of the other reflections posted on Comma Directory recently.

Long grey book with a doric capital on the cover against a dark wood background.
Fig 1. "Helen's Exile" in a beautiful English-language edition by the independent press ERIS, found at Kalk Bay Books.

"Our Europe [...] off in the pursuit of totality is the child of disproportion."

"In her madness she extends the eternal limits, and at that very moment dark Erinyes fall upon her and tear her to pieces. Nemesis, the goddess of measure and not of revenge, keeps watch. All those who overstep the limit are pitilessly punished by her."

"In a drunken sky we light up the suns we want. But nonetheless the boundaries exist, and we know it."

"In our wildest aberrations we dream of an equilibrium we have left behind, which we naively expect to find at the end of our errors."

"We, too, have conquered, moved boundaries, mastered heaven and earth. Our reason has driven all away. Alone at last, we end up by ruling over a desert."

"Whereas the Greeks gave to will the boundaries of reason, we have come to put the will's impulse in the very centre of reason, which has, as a result, become deadly."

"Nature is still there, however. She contrasts her calm skies and her reasons with the madness of men. Until the atom too catches fire and history ends in the triumph of reason and the agony of the species."

"But the Greeks never said that the limit could not be overstepped. They said it existed and that whoever dared to exceed it was mercilessly struck down. Nothing in present history can contradict them."

"The historical spirit and the artist both want to remake the world. But the artist, through an obligation of his nature, knows his limits, which the historical spirit fails to recognise. This is why the latter's aim is tyranny whereas the former's passion is freedom."

"[Our era] wants to transfigure the world before having exhausted it, to set it to rights before having understood it."

"Whatever it may say, our era is deserting this world."

"Yet what a temptation, at certain moments, to turn one's back on this bleak, fleshless world! But this time is ours, and we cannot live hating ourselves."

"Admission of ignorance, rejection of fanaticism, the limits of the world and of man, the beloved face, and finally beauty—this is where we shall be on the side of the Greeks."

- Andrea & Marc

24.07.2025 // Thinking of Stonehenge in Manhattan

New York City, United States

The past four weeks have taken me from Bath to London to New York, New Jersey, and Pennsylvania—leaving me with just enough time to catch my breath. Amidst the hustle and bustle, I had a few parting thoughts that have stuck with me about a small day trip we did in England, thoughts which are broadly pertinent to travel and living generally.

Shortly before leaving the UK, we went to Stonehenge and it brought me back to a younger self who was just beginning to discover the world. Up to the very day we went, I had doubts about whether to make the trip over. It is a busy time as we approached the end of our visit to Bath. Lots of travel awaited, and as travel accumulates in my past and future, I begin to enjoy static moments more and more.

Clear blue sky with Stonehenge small in the distance and yellow grass close up.
Fig 1. Sitting on the grass at Stonehenge.

Nonetheless, the clutter of logistics, work, and everyday tasks can also cloud vision. In the end, how could I not go? The site was less than two hours away and there are no guarantees I will ever have the chance to see it again. The awareness of a present both fleeting and latent with possibility is something that has always characterized my outlook on life. And yet, there are so many forces in our every day that increasingly try to obscure the value of experiencing, living, contemplating. Deciding to go to Stonehenge was a reassertion that each day and each minute is not to be taken for granted.

Beyond the inertia of banality, there is also cynicism: why go? Isn't it just an overhyped commercialized sort of place? These are the whispers and judgements that try to chip away at the value of something because it is too popular, too well-known. I know that my younger self was almost deaf to this type of cynicism. After being denied mobility and possibility for so long, the inherent of value of discovering and exploring and learning and experiencing seemed too obvious. It is this instinct that has driven me to go rogue on trip itineraries, like that time I refused to leave Istanbul without visiting the Hagia Sophia and the Blue Mosque. Today, I am proud that at sixteen I had the foresight to do that; I haven't been back to Istanbul since.

In Walker Percy's "Loss of Creature", the author reflects on how modern institutions, such as school or mass tourism, and the expectations we develop as a result of being embedded in them, alienate us from that which we wish to encounter and access. Percy toys with ideas on how to reclaim experience, eluding cliché, disappointment, and cynicism. Growing up, the inherent value of experiences revealed itself to me as an obvious contrast to the relative scarcity, constraint, and struggle I had had to live through. As my access to the world has swelled, have I lost sight of this?

The special feeling that still springs within, whether at the foot of Stonehenge or on the crisscrossing streets of Manhattan, makes me think not. I still feel like the luckiest person in the world, just like when I saw the rising domes of the mosques in Istanbul or the black sand volcanic beaches of Guadeloupe—-the drive to live is still there, even if I have to make a greater effort to tear down some of the pressures and expectations that adult life has brought with it.

- Andrea